Fireproof
Fireproof is a movie.
A DVD of this movie had been sitting on my television for about a month. Being attached to a church, I have been under a little bit of pressure to see it. Not in a direct way, but folks have been talking about it and would keep asking if I had seen it. So I finally watched it tonight.
Here’s an abbreviated version of a pretty good synopsis from RottenTomatoes.com:
FIREPROOF…is a Christian relationship drama with a very strong message. The film stars Kirk Cameron…as Captain Caleb Holt, a fireman whose fearlessness is limited to his work. At home with his wife of seven years, Caleb shows little of the bravery he displays on the job, and has a failing marriage as a result… Caleb begins a difficult journey to reclaim his wife, and in the process, his faith in God. The film offers an alternative to the common romantic comedy and… a more multidimensional view of romance… Likely to please its target audience, the film offers a fresh perspective on marriage and inspiring relationship tips viewers may want to try regardless of their faith.
A good, fair-handed review also comes from Neil Genzlinger of the New York Times. This review is also worth reading after you’ve seen the movie.
OK, now The Gordo’s take on this:
The synopsis and review above are both solidly accurate descriptions. Yes, you will encounter the primary elements of the Christian message, but no, you are not beaten over the head with it. There are a couple of moments where it’s a little direct, but not ham-handed (well, maybe a little at the end). Fairly, it’s a part of the story. My point: this movie will provide the same experience whether you’re interested in matters of faith or not. If you are not a Christian, or aren’t interested in such, the religious elements in the movie will allow you the understanding of the various characters’ motivations through their faith system, but you wouldn’t feel like you were watching a commercial on Christ. Much like Hinduism in some of the Bollywood movies I’ve watched — elements I needed for story, but I didn’t feel proselytized. (ok, the end goes over the edge a little — coulda definitely trimmed the remaining several minutes after the climactic ending in the firehouse. Yeah, credits shoulda rolled there.)
The acting? Um, well…
OK, not that bad at all, especially since I’ve discovered that this was an almost entirely volunteer cast. Given that bit of information, the quality of acting was pretty darn good. Since we all have direct access via mainstream movies to the very best actors in the world all the time, and very few of us even have regular access to modern b-movies or indy flicks (much less care to), it’s easy to be critical of anything that’s off the Hollywood standard, even if it’s still good. Being a high school band director, I understand all too well about being held to world-class standards all the time in the musical world. Also, I’ve tried my hand at stage and film acting — it’s really a lot harder than it looks. And, of course, we all have suffered through numerous wretched mainstream movies performed by A-list actors.
Professional actor Kirk Cameron did a very good job, as did his lieutenant in the movie played by Ken Bevel, who is also a US Marine Corps officer in real life. Oddly enough, lead female Erin Bethea, the only other professional actor (I think), didn’t quite have as good a day on set. Given that she’s a degreed theatre actress currently under contract at Disney’s Magic Kingdom I expected a little more. It was a passable performance, though, for sure. Given her entire background is in theatre, that may have been a factor. Acting on stage is a world of difference than film acting.
Actually, the very best actor of the entire movie was the emergency room nurse, played by Janet Lee Dapper. She only has one 2-minute scene about 70 minutes into the movie, and all she is doing is being an active ER nurse to an injury. But I tell you with all deep truthfulness when she was talking I would swear that I was actually standing in an ER listening to a real nurse. She is interacting with both main characters, mind you, so it wasn’t like she was just talking nurse-talk (although most of it was). With the enormity of volunteer-quality line deliveries throughout the movie, this just caught my ears like a sweet aria. I’d like to see some of the other things she has done.
The script? Much better than expected.
Dear goodness, there were a good half-dozen campy moments and at least ten lines that should have never been written. In a couple of cases, you’ll just laugh out loud at the absurdity — I did. Now, while this may sound harsh on it’s face, hear me out. The fact that most of the script was good quality made those moments stick out like sore thumbs.
Where I have to give real credit is to the concepts that the script addresses and how they are addressed. I’ll hit that further down the post.
Cinematography/Editing/Post-production? Excellent.
A few moments seemed a little stylistically dated, like I was watching a commercial, but in general these elements were done rather well across the board.
Action sequences? Excellent.
I did giggle once early on because the setup seemed forced, but the sequence itself was fairly well done. In every action sequence, I believed in what I was seeing and bought into the tensions of the moment.
Concepts? Outstanding.
Now, largely this is a coming-of-age, lost-love-found drama. There are a number of enjoyable humorous elements, but it is not a comedy or action film. It is certainly a drama. The review above says the “film offers an alternative to the common romantic comedy and… a more multidimensional view of romance,” and I’m inclined to agree. Forgetting the religious elements entirely, it’s definitely a fresh approach to the genre.
I have to give major credit to the script here. The spousal dialogue was very direct and very true to human nature. Of all the lines, these were the most refined and potent. Particularly the opening sequences.
Credit also to telling it like it is. Very impressive here. I put that in italics because it covers about three plot points that I don’t want to spoil for you. Though done with utmost in taste, there’s no dancing around any of the marital concepts that are addressed (including the topic of internet porn, so note that point if you’re planning to have children watch it). Also, there were at least two twists I didn’t even see coming. One I had figured out, only to be drawn away from believing it anymore, to be shown later I was right. Clever.
Strangely, I’m a little impressed that the lead male did all the deep, sensitive growth while his wife was an eternal DRAGON WENCH the entire movie. Eat your heart out, Lifetime.
Were you moved by the film? Some. Not like all the folks who told me to watch it – at least based on my perception of what other folks have experienced.
Largely, I’m not in a place in my marriage where this movie would give me the greatest impact. I have had at least two folks give me the impression that the storyline was lifted straight from their own lives. I can see why they were affected so much. I’d play the man-card — you know, dudes don’t get all mushy and moved and such — but the folks who have been most vocal to me of the impact on their lives have been men. Married men.
All marriages struggle with the movie’s general concepts to one degree or another at some point — mine included. If your marriage is where theirs is in the story, then I can see why this movie might affect you greatly.
Do you recommend this movie? Yeah, I do. Probably not for the same reasons everyone else does. First, see it just to shut everyone else up. I’VE SEEN IT ALREADY, NOW QUIT BUGGING ME! Really, though, it’s good to see films that don’t fit into the half-dozen basic movie templates that exist today. It’s definitely a little bit different.
Oh, and if you’re a couple (married or not), then watch it together. Talk about it. Talk during it (use the pause button as necessary). Even make fun of it a little if you want — I did. But do it together. No matter your faith, no matter your stage of relationship, you’ll likely discover that by the end of the night you’re talking to each other about each other.
At least that’s what happened to us.
Peace.
